![]() Once you’ve done all the work to create the memory locations in your session, and then crafted filters to find them, you can save presets to easily recall them. These filters can be used in conjunction with each other, or with other filters. Checking any of these will dynamically filter the list to only show memory locations on Selected Tracks, Edit Selections, or just your Targeted Track. Note that there are three items at the bottom which are unchecked by default. The fourth method utilizes the same funnel icon. This gives you a lot of control over what you need to see. Unchecking any of the boxes within it will hide memory locations that contain that attribute from the list. Clicking on the funnel icon in the upper left of the window opens a drop-down menu. If you’re receiving markers from Media Composer, one tip is to look for them by using the video editor's username. The second way that you can filter is by typing text in the boxes above the number, name, track, or comment columns. Adding another color to the filter will show you markers with either color. Clicking any color will show you only markers that have that color. For example, you can click the “Selections” icon and the “Zoom Properties” icon to see just memory locations that have either of these properties.Ĭolor filters behave the same way as the icons. When you click the second icon, it will expand the search to include memory locations which include either attribute. Now when you click the first icon, it shows only memory locations that contain that attribute. Clicking the icon would hide any memory locations that contained that attribute. You can think of the previous behavior as behaving like mutes. Although this method was available in previous versions of Pro Tools, we’ve modified the behavior. The first is by clicking on the icons at the top of the attribute columns. And wouldn’t it be nice if there was a way to navigate to the previous or next memory location? Pro Tools 2023.12 addresses all of these needs.Īs Pro Tools allows up to 32,000 memory locations, there are now a total of four ways to filter, which will help you quickly find exactly what you need. There has also been great demand for more marker rulers at the top of the Edit Window. Importing similar sessions could accumulate a lot of redundant markers, so we wanted an easier way to clean up unused ones. Pro Tools 2023.6 brought track markers to Pro Tools, but we knew there was still a lot more to do-including an easier way to find and sort markers. We’ve included a saturation slider in the color palette if you want to adjust the color to taste or turn it off completely. ![]() This makes it really easy to quickly see the routing between tracks at a glance. The colors assigned in I/O Setup will then show on the I/O plates in the Edit and Mix windows. If you’re using the external Dolby Atmos Renderer application with Pro Tools, the color will even flow from group, to bed/object, to output. For example, if you color a path in the output tab, the related bus will automatically inherit the color, and the reverse is also true.ĭolby Atmos groups can also be colored, and when assigned to an object or bed, those paths will also inherit the color. Pro Tools 2023.12 allows you to assign colors to paths in I/O Setup, which will flow between tabs to related paths. Color is a great mechanism to help with this. The Dolby Atmos integration really got us thinking about signal flow and how important it is to see the relationship between paths in I/O Setup, as well as with tracks in the session. ![]() Read the Pro Tools Dolby Atmos renderer blog to learn more. Mixing Dolby Atmos in Pro Tools is now easier than ever, with an integrated Atmos renderer in Pro Tools Studio and Ultimate that supports monitoring of binaural, 2.0, 5.1, 7.1, 5.1.2, 5.1.4, 7.1.4 and 9.1.6 (Ultimate only). INTEGRATED DOLBY ATMOS RENDERING (STUDIO AND ULTIMATE ONLY) Read this article for known issues when running on macOS 14.1. Note that we are still in the process of qualifying Pro Tools for macOS 14.1 (Sonoma). To get a summary of all recent releases and more, please visit the What's New in Pro Tools page. The release also offers enhancements to Pro Tools Sketch, new marker and memory location functionality, I/O setup and routing color coding, Same as Source bounce support for H.264 video, and more.įor a detailed technical overview of the new features, be sure to check out the “What’s New in Pro Tools 2023.12” guide and release notes here. The Pro Tools 2023.12 software update is now available and delivers significant enhancements for both music and audio post workflows, including a new integrated Dolby Atmos ® renderer to streamline immersive mixing.
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